randian | 燃点

Featuring works by Dharma Bum, Weixin Chong, Inci Eviner, Gao Weigang, Gonkar Gyatso, Hew Locke, Ben Loong, Francis Ng, Ged Quinn, Anne Samat, Melati Suryodarmo, Sinta Tantra, Thukral & Tagra, Zen Teh, and Yang Yongliang >> Read more

Xu Longsen has recently been experimenting with the concept of the semi-private exhibition as a contemporary mode of literati gathering. >> Read more

Wu Ke (b.1969), an established painter from China will present his unconventional creations of traditional Chinese landscape paintings to a British audience for the first time, at his forthcoming solo exhibition Another Shan Shui at Cookhouse Gallery Chelsea College of Arts this September (21st-26th). >> Read more

The Vancouver Art Gallery is pleased to present Pacific Crossings: Hong Kong Artists in Vancouver, an exhibition showcasing the work of David Lam, Paul Chui, Carrie Koo and Josh Hon, created before and after their relocation to Vancouver throughout the 1960-80s. >> Read more

Yogesh Bavre at Things that can happen | Luke Ching at Gallery Exit | Trevor Yeung at Blindspot Gallery | Tsang Kin-Wah at M+ Pavilion | Apichatpong Weerasethakul at Para Site | Anish Kapoor at Gagosian | Sam Francis at Pearl Lam Galleries >> Read more

We are pleased to announce the exhibition and programs of Singapore Art Archive Project at SA SA BASSAC: Koh Nguang How and Shui Tit Sing with curators Vera Mey and Mélanie Mermod >> Read more

Singapore—Pearl Lam Galleries is pleased to present a solo exhibition by Chinese artist Yang Yongliang, opening on 2 April, 2016. >> Read more

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more

This Spring, Hambling will exhibit for the first time in China, at the Central Academy of Fine Arts Museum in Beijing. Ran Dian met the artist at her London home to discuss the show. >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more